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LCC Postgraduate Show 2024

Graphic Design

For the LCC (London College of Communication) postgraduate shows, we challenged the idea of a single, “perfect” final outcome. Instead, the identity celebrates process, experimentation, and making.
Rather than one fixed system, we developed three distinct yet connected identities, each tailored to its school and unified through a fourth, flexible modular framework. The result is a visual language that evolves over time—embracing iteration, overlap, and imperfection as core design principles.

LCC Postgraduate Show 2024

Graphic Design

For the LCC (London College of Communication) postgraduate shows, we challenged the idea of a single, “perfect” final outcome. Instead, the identity celebrates process, experimentation, and making.
Rather than one fixed system, we developed three distinct yet connected identities, each tailored to its school and unified through a fourth, flexible modular framework. The result is a visual language that evolves over time—embracing iteration, overlap, and imperfection as core design principles.

LCC Postgraduate Show 2024

Graphic Design

For the LCC (London College of Communication) postgraduate shows, we challenged the idea of a single, “perfect” final outcome. Instead, the identity celebrates process, experimentation, and making.
Rather than one fixed system, we developed three distinct yet connected identities, each tailored to its school and unified through a fourth, flexible modular framework. The result is a visual language that evolves over time—embracing iteration, overlap, and imperfection as core design principles.
Process as Design
Previous show branding focused heavily on graphic design alone. We expanded the visual language to include film, photography, and physical print artifacts. Textures were documented directly from LCC’s facilities—screen prints, litho misprints, film strips, and pixel glitches—and transformed into backgrounds, stock papers, and animated visuals.
DIY & Cost-Effective Approach
Working within a limited budget, the system was designed to be accessible and adaptable:
  • A website where students could generate their own promotional materials within the show identity
  • Pre-printed A4 and A3 stock papers featuring textured backgrounds, allowing students to layer their own content
  • A layered modular system, where each show builds visually on the previous one—reducing waste, setup time, and production costs
By celebrating process, mistakes became features rather than flaws. Each show’s identity was layered onto the last, reinforcing the themes of experimentation and iteration at the heart of creative practice.
Fonts
ABC Gravity — ABC Dinamo
Team
Plusminus Studio & Group Hug
Armel Bellec, Christian Schreiber, Clara Tadiotto, Iulia Coscodan,
Julia Kuc-Mikłaszewicz, Sven Herkt, Tomas Clarkson
Thanks
Big thanks to the LCC team—especially Olly, Sophie, and Ned.
To Iulia for on-site help and documentation, and to Sarah for always believing in Plusminus and helping bring the project together.

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© Plusminus Studio 2022

USt-ID:DE321766720

Let's connect

© Plusminus Studio 2022

USt-ID:DE321766720

Let's connect

© Plusminus Studio 2022

USt-ID:DE321766720

Let's connect

© Plusminus Studio 2022

USt-ID:DE321766720